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Saville

SKU
BB19 LL
A little bigger and a little bolder, the ‘Saville’ bracelet plays with two timeless forms – the sphere and the hourglass – to create a quiet statement on...
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A little bigger and a little bolder, the ‘Saville’ bracelet plays with two timeless forms – the sphere and the hourglass – to create a quiet statement on the wrist that belongs to any and every time. Premium Lapis Lazuli beads are flanked by sterling silver hourglass spacers, built on a welded aircraft cable that will last for generations. Our signature sterling ‘arrow’ toggle clasp finishes it off in style.

Features & Specs

Bead size: 10mm

Wrist size

Inches | Centimeters

Jewelry Size

15.5 - 16.8 Small
17.15 - 18.4 Medium
18.75 - 20 Large
20.3 - 21.6 X-Large
21.9 - 23.18 2X-Large
6 1/8 - 6 5/8 Small
6 3/4 - 7 1/4 Medium
7 3/8 - 7 7/8 Large
8 - 8 1/2 X-Large
8 5/8 - 9 1/8 2X-Large

 

Wrist sizing chart Image

Materials & Artistry
Sterling Silver

Sterling Silver

Sterling silver is an alloy of silver containing 92.5% by mass of silver and usually 7.5% by mass of copper. The sterling silver standard has a minimum millesimal fineness of 925. The sterling alloy originated in continental Europe and was being used for commerce as early as the 12th century in the area that is now northern Germany. William Henry uses the latest state-of-the-art casting equipment to create mesmerizing pieces that are often considered par with our hand-carved work.

Lapis Lazuli

Lapis Lazuli

Lapis lazuli, or lapis for short, is a deep blue, semi-precious stone prized since antiquity for its intense color. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines, in Shortugai, and in other mines in the Badakhshan province in northeast Afghanistan.

At the end of the Middle Ages, lapis lazuli began to be exported to Europe, where it was ground into powder and made into ultramarine, the finest and most expensive of all blue pigments. It was used by some of the most important artists of the Renaissance and Baroque, including Masaccio, Perugino, Titian and Vermeer, and was often reserved for the clothing of the central figures of their paintings, especially the Virgin Mary.