The Spearpoint 'Longwei’ ("Dragon Greatness") features a beautiful frame in hand forged 'River Rock' damascus by Chad Nichols. The handle is inlaid with a mesmerizing scale in green jade, embellished with a gold Maki-e dragon design. The blade is hand-forged 'Boomerang' damascus by Chad Nichols; the one-hand button lock and the thumb stud are set with diamonds. A remarkable design that gives you an instrument with a full-size secure grip, and a versatile deep-belly blade, the Spearpoint epitomizes William Henry’s core philosophy – that superlative function deserves to be elevated to superlative art. The ‘Longwei’ features some of the most exotic materials, superlative artistry, and hand-forged metals that are the hallmark of William Henry's collections; a timeless heirloom to be proudly worn and used for a lifetime before being handed-down to another generation.
Blade 3.06" (77.7mm)
Handle 4.13" (104.9.5mm)
Overall open 7.19" (182.6mm)
Damascus steel was a term used by several Western cultures from the Medieval period onward to describe a type of steel created in India and used in sword making from about 300 BC to 1700 AD. These swords were characterized by distinctive patterns of banding and mottling reminiscent of flowing water. Such blades were reputed to be not only tough and resistant to shattering, but capable of being honed to a sharp and resilient edge. William Henry's damascus is made from several types of steel welded together to form a billet.
The patterns vary depending on how the damascus artist works the billet. The billet is drawn out and folded until the desired number of layers are formed. William Henry damascus billets are forged with a minimum of 300 layers. William Henry works with a handful of the very best damascus artists/forgers in the U.S.
The name diamond is derived from the ancient Greek αδάμας (adámas), "proper", "unalterable", "unbreakable". Diamonds have a long history as beautiful objects of desire. In the first century AD, the Roman naturalist Pliny stated: “Diamond is the most valuable, not only of precious stones, but of all things in this world.”
The world’s love of diamonds had its start in India, where diamonds were gathered from the country’s rivers and streams. Some historians estimate that India was trading in diamonds as early as the fourth century BC.
The popularity of diamonds has risen since the 19th century because of increased supply, improved cutting and polishing techniques. Aside from our jewelry collection, William Henry also inlays diamonds in pocketknives, pens, and money clips.
Maki-e (literally sprinkled picture) is the ancient Japanese technique of sprinkling a smooth surface (originally lacquer) with gold or silver powder as a decoration using a specialized and delicate brush.
The technique was developed mainly in the Heian Period (794–1185) and blossomed in the Edo Period (1603–1868). Maki-e objects were initially designed as household items for court nobles, they soon gained more popularity and were adopted by royal families and military leaders as an indication of power. To create different colors and textures, maki-e artists use a variety of metal powders including gold, silver, copper, brass, lead, aluminum, platinum, pewter, as well as their alloys.
As it requires highly-skilled craftsmanship to produce a maki-e painting, young artists usually go through many years of training to develop the skills and to ultimately become maki-e masters.
With its beauty and wide-ranging expressiveness, jade has held a special attraction for mankind for almost 7,000 years.
Still today, this gem is regarded as a symbol of the good, the beautiful and the precious. It embodies the Confucian virtues of wisdom, justice, compassion, modesty and courage, yet it also symbolises the female-erotic.
It comes in many fine nuances of green, but also in shades of white, grey, black, yellow, and orange and in delicate violet tones. Only in the very finest jade is the colour evenly distributed.
This material obtained by immersing a traditional damascus billet it in an acid solution. The process creates a striking visual contrast by enhancing the components that are more susceptible to the etching of the acid.