The Spearpoint ‘Keo’ features mesmerizing hand-engraved bolsters by Tim Keough, inlaid with a stunning piece of 10,000 year-old fossil Woolly Mammoth tooth. The blade is hand-forged 'Hornet's Nest' damascus by Mike Norris; the one-hand button lock and the thumb stud are set with citrine gemstones.
A remarkable design that gives you an instrument with a full-size secure grip, and a versatile deep-belly blade, the Spearpoint epitomizes William Henry’s core philosophy – that superlative function deserves to be elevated to superlative art.
The ‘Keo’ features some of the most exotic materials, artistry and forged metals that are the hallmark of William Henry's collections; a timeless heirloom to be proudly worn and used for a lifetime before being handed-down to another generation.
Blade 3.06" (77.7mm)
Handle 4.13" (104.9.5mm)
Overall open 7.19" (182.6mm)
Damascus steel was a term used by several Western cultures from the Medieval period onward to describe a type of steel created in India and used in sword making from about 300 BC to 1700 AD. These swords were characterized by distinctive patterns of banding and mottling reminiscent of flowing water. Such blades were reputed to be not only tough and resistant to shattering, but capable of being honed to a sharp and resilient edge. William Henry's damascus is made from several types of steel welded together to form a billet.
The patterns vary depending on how the damascus artist works the billet. The billet is drawn out and folded until the desired number of layers are formed. William Henry damascus billets are forged with a minimum of 300 layers. William Henry works with a handful of the very best damascus artists/forgers in the U.S.
From a Woolly Mammoth that walked the Earth at least 10,000 years ago.
Modern humans coexisted with woolly mammoths during the Upper Paleolithic period when they entered Europe from Africa between 30,000 and 40,000 years ago. Prior to this, Neanderthals had coexisted with mammoths during the Middle Paleolithic and up to that time. Woolly mammoths were very important to Ice Age humans, and their survival may have depended on these animals in some areas.
The woolly mammoth is the next most depicted animal in Ice Age art after horses and bisons, and these images were produced up to 11,500 years ago. Today, more than five hundred depictions of woolly mammoths are known, in media ranging from carvings and cave paintings located in 46 caves in Russia, France and Spain, to sculptures and engravings made from different materials.
William Henry's fossil Mammoth tooth is harvested in Alaska and Siberia. It is a rare and mesmerizing material, a living testimony of the dawn of Mankind.
Engraving is one of the most recognized and exacting adornments on metal, and most of our engraving is done on stainless steel, and occasionally - on Titanium, adding layers of difficulty to the process. William Henry works with a select group of world-famous master engravers to create very limited edition pieces on an ongoing basis. Each edition, or piece, is carefully conceived and executed by William Henry and the engraver, and every finished engraving is hand-signed by the artist.
Gold-inlaid Engraving is another, even more complex, rendition of a classic art form. This involves creating a fine engraving with deep relief, then inlaying 24K gold (or different metals) into select portions of the engraving. If done in damascus, we then heat-color the frame which creates a beautiful darker background to highlight the gold inlay.
Citrine is a variety of quartz whose color ranges from a pale yellow to brown due to ferric impurities.
The name is derived from Latin citrina which means "yellow" and is also the origin of the word "citron." Sometimes citrine and amethyst can be found together in the same crystal, which is then referred to as ametrine.