Blade 2.50" (63.5mm)
Handle 3.13" (79.5mm)
Overall open 5.60" (142.2mm)
William Henry's patent-pending Wave Damascus features a core in ZDP-189 (HRC 67) or VG-10 (cryo-tempered to a hardness of HRC 61) for superior sharpness and edge retention over time. The core of the blade is clad with alternating layers of stainless steel and nickel silver. The billet, 45 layers in all, is patterned with a custom die to create the undulating waves that emerge across the bevels of the blade. This material can be dark-etched for contrast, or etched and re-polished for a more subtle pattern.
Goldlip Mother of Pearl is scientifically the same as White M.O.P. only that Gold is taken from the reverse side of the shell. Good quality dark Gold shells come from the waters surrounding the Philippines and parts of Indonesia. The gold section is a thin lip — like a veneer — of natural color that is carefully selected and worked to yield the deepest possible gold tones.
Citrine is a variety of quartz whose color ranges from a pale yellow to brown due to ferric impurities.
The name is derived from Latin citrina which means "yellow" and is also the origin of the word "citron." Sometimes citrine and amethyst can be found together in the same crystal, which is then referred to as ametrine.
Koftgari is the name for fine gold (and/or silver) patterns inlaid into parkerized steel. This ancient Indian technique, done entirely by hand, involves creating a very fine cross-hatch grid in the steel and then burnishing 24K gold (and/or silver) into a pattern that is bound by the cross-hatch. Parkerizing involves soaking the steel in a boiling solution of salts to oxidize the steel a deep brown/blue. Beautiful and timeless, koftgari is nearly a lost art.
William Henry's koftgari comes from 2 small villages in India, home of the very few Indian artisans that still master this technique.